SENSING PLACE
August 29 - October 4, 2025
Mercury 20
Back Gallery
475 25th Street, Oakland CA
See my work, alongside that of fellow artists Elizabeth Sher and Emily Shepard, as we each trace the contours of place — not just where we live, but how we feel, remember, and imagine it.
Barn Separation
Point Reyes Station, CA
24 x 36 $2000 framed Buy
2022
612 Commercial Street
Provincetown, MA
16 x 16 $1000 framed Buy
2023
Bradford Street House Study with Cellar Door
Provincetown, MA
16 x 20 $1200 framed Buy
2024
Paine Hollow Road House
Wellfleet, MA
36 x 36 $2500 framed Buy
2024
Provincetown Beach Shack Provincetown, MA
16 x 20 $1200 framed Buy
2024
Alder Road Bolinas Beach Shacks
Bolinas Beach, CA
30 x 40 $2500 framed Buy
2024
Launch For Hire
Inverness CA
30 x 40 $2500 framed Buy
2025
West Marin Barn
Point Reyes Station, CA
16 x 16 $1000 framed SOLD
2025
House on B Street Study No. 2
Point Reyes Station, CA
16 x 16 $1000 framed Buy
2025
House on Shore Road
Truro, MA
16 x 16 $1000 framed Buy
2025
Point Reyes Barn
Point Reyes Station, CA
30 x40 $2500 framed Buy
2025
Red Barn Study No. 1 Bear Valley Road
Point Reyes Station, CA
18 x 24 $1500 framed Buy
2025
Interested in purchasing a painting from the show?
Paintings can be purchased through Mercury 20 Gallery in-person or online.
Founded in 2006, Mercury 20 is a contemporary art gallery established, supported and operated by San Francisco Bay Area artists. Mercury 20 maintains a gallery space in Oakland, CA as well as an online sales platform. A collective operating structure supports the ability to experiment, develop, exhibit, advance work and sustain the arts community.
About the Show
Gustave Carlson's body of work is a profound exploration of the agricultural landscape, with a particular emphasis on barns, agrarian vernacular, beach cottages, and fields. His studies derive from the picturesque coastlines of Cape Cod, Massachusetts, and Point Reyes, California.
In Carlson's paintings, one encounters a blend of the familiar and the enigmatic. His acute awareness of building shapes and perspectives, coupled with his commitment to landscape stewardship, positions his work as a form of documentation. Carlson's perception of the landscape as a blanket or wallpaper that envelops the surface is vividly translated into his art. His depictions of forgotten farmhouse forms and heirloom barns evoke themes of decay, architectural typology, nostalgia, and distinctive color harmonies. Notably, the chairs in his paintings serve as metaphoric representations of the human figure.
Carlson's technique is marked by a juxtaposition of thick, layered applications and thin, underdeveloped areas. Engaging in the simultaneous creation of multiple paintings, Carlson allows for the emergence and overlay of earlier forms, resulting in a palimpsest-like effect known as pentimento. This nuanced interplay between presence and absence is a cornerstone of his artistic comfort zone.
A hallmark of Carlson's oeuvre is his iterative process of revisiting and transforming his works, continually altering shapes and colors until he achieves a cohesive body of work. His practice is profoundly influenced by luminaries such as Richard Diebenkorn, Lois Dodd, Wayne Thiebaud, and Fairfield Porter, whose impact is evident in the contemplative and dynamic nature of his paintings.